Three-dimensional anatomical models have long been essential to the learning of science and lend a sense of "control" to those practicing in the field. As the development of embryology grew in importance during the late 1800s, so did the need for models to show intricate details of embryos. Embryologists such as Wilhelm His, Ernst Haeckel, and Oscar Hertwig all initially constructed their own wax models of embryos but later handed over the modification and reproduction of their models to various "plastic artists." The most renowned among these artists was Adolf Ziegler.

The scientific field of embryology experienced great growth in scope and direction in Germany from approximately 1850 to 1920. During this time, Adolf Ziegler and his son Friedrich crafted hundreds of wax embryo models, representing a shift in how embryos were viewed and used. Their final products, whether human or trout embryos, showcased the now lost collaboration between wax modeling artists and embryologists.